The city square was a riotous bloom of colours - all the trees were wearing sweaters. (Clearly the trees had figured out the only way to deal with Melbourne's non existent 2015 summer was to rug up). It was a grey and overcast day.
This is a bare sprinkling of the trees. All the ones along the footpath have also been done - must be about 20 to 25 trees in all.
This one is my favourite. All the texture and pattern. |
I just may have also hugged a tree or two....
I did take my camera and the most recent finished shawl and scarf to specifically take some finished object photos.I may have done my own little subversive bit to brighten people's days by temporarily yarn-bombing statues. After all Chinese Lions wear shawls and cute little punk dogs need a scarf to ward off the summer chill.
This was my favourite. This is on one of the busiest corners in the city. There are a trio of statues here - depicting typical commuters in the everyday rush. I wrapped this guy in a shawl, took my photos and patted him on the head and went on my way - all to the smiles of the passing city crowd.
Melbourne has amazing street art everywhere you turn. This is outside the State Library - a giant chunk that just looks like its randomly fallen off the building. I hope it liked its transient scarf embellishment.
(And because I know there are those of you who are wondering. (Because I know my mother did). I didn't leave the scarf and shawl behind. It was temporary adornment for the purposes of photo taking only. There are too many knitting hours in these to just abandon them to fate. The scarf in particular in the last bit of of my giant scarf-ghan. It's sort of needed).
The highlight of my random Wednesday was the last bit. I was in the city with my youngest sister. She had to work for the morning but the afternoon we spent at the John Paul Gaultier exhibition at the National Gallery of Victoria. I was truthfully blown away. I had a little idea of what to expect - fantastic outfits on dummies of course. Maybe a cone bra or two - corsetry and costumes made for stage. But the sheer scope and scale of the imagination of Gaultier as a designer was eye opening and humbling.
The crafter in me marveled at the hours of handwork involved in bringing the genius vision to life (1600 hours for a life like hand beaded leopard skin anyone?) Photography was encouraged with signs everywhere urging patrons to snap and share on social media. I left the snapping to my sister except for a few garments to sang to my knitter's heart. (Try searching the hashtag #jpgngv on instagram for a taste of the 160+ garments in the exhibition)
My relevation of the day was that Jean Paul Gauliter is really a freeformer.
And he can take a classic fisherman's rib and aran and twist it so it dances across a catwalk.
We'll finish this with a little peak into one of Melbourne's ubiquitous laneways. This is Amplett lane named in honour of Chrissy Amplett from the Divinyls. The official street sign may still be in chalk but the artwork is striking.
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